Jumping on the bandwagon - as seen on numerous blogs, and even featured in a recent Cloth Paper Scissors magazine (or perhaps it was Quilting Arts).
My quasi-daily journal pages have been taken over with little doodle drawings.
Tuesday, February 9, 2010
Monday, February 8, 2010
delicate softness
The aging indigo vat is yielding softer blues. So very beautiful and subtle. Here overdyed silk.
On the side I'm devouring my reference books, learning more about the indigo and other dyeing processes. The quick indigo kit (Indigo Dye Kit- Natural Indigo Clothing Dye Method
), in its shorthand instructions, leaves me curious to know the 'don'ts' that lead to disappointing results. Ah! Chemistry! The bain of my college experience.
On the side I'm devouring my reference books, learning more about the indigo and other dyeing processes. The quick indigo kit (Indigo Dye Kit- Natural Indigo Clothing Dye Method
Friday, February 5, 2010
Blue cotton
A few more bits in the dye pot today.
And some casually pieced flag shapes. (not quite Union Jacks, but inspired by...)
Thursday, February 4, 2010
Velvet indigo'd
Velvet's dry!! Very subtle result - lovely color.
Will be working on the photos to capture the details.
Indigo results
Softer blue than I expected. Worth doing again with more dunkings to see how dark the blue can become.
Simple tied resist and clamped resist on cotton muslin.
Waiting for results
Indigo vat 2 - first session today.
Things are drying - impatiently waiting the results!!
Monday, February 1, 2010
Quiet Sunday piecing
Not that the title should lead you astray - Sunday was quite chaotic.
Early though, there was the quiet morning, before the rest of the household woke, where I took time to piece strips of worn clothes.
I like the shadows and stitch marks where pockets were removed, the rippled distortion where flat fabric molded around bodies as they moved.
Early though, there was the quiet morning, before the rest of the household woke, where I took time to piece strips of worn clothes.
I like the shadows and stitch marks where pockets were removed, the rippled distortion where flat fabric molded around bodies as they moved.
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